Red Dead Redemption – “Unforgiven”

The Houser brothers are a one key affair, unable to move beyond the confining boundaries of their one defining work; if anything, “Red Dead Redemption” is a cruel reminder of this fact. Here we are, yet again, in presence of “GTA’s” sand-box structure, and no matter how much time passes by, we find little change to its core foundations. Surely, minor elements were adapted to the western setting, but remove such secondary drivel, and you’ll find yourself playing “GTA III”, only with horses and sheriffs and desert in place of cars and policemen and cities. Where the game has evolved, it aims to please the saccharine junkies of gamification, inducing players to enter labyrinthine corridors of grinding, in byzantine collections of missions, mini-games, quests, sub-quests, side-quests, in-game achievements, xbox live achievements, trophies, all offering the bliss of abstract rewards with no added value to the experience. For supposed upholders of open-world gameplay, Rockstar has turned out a certified hypocrite of political proportions, promising the myth of Uncle Sam’s freedom and liberty, whilst enslaving players in a myriad of goal infested paraphernalia.  Even main-quest offerings are riddled with minute sub-goals on how to play, dictating your actions to the smallest detail, leaving little, if anything, up to players’ skill, exploration or imagination.

We’d be willing to concede to these  nefarious elements were there any ulterior purpose or aesthetic virtue lying beyond them. But what is “Red Dead Redemption” about? The west’s ruthlessness and savageness? A criminal’s attempt at moral redemption?  The choice between government and free enterprise, fascism and anarchy, corruption and lawlessness? If anyone claims to such foolishness, pay no heed – Rockstar treats these subject matters with the subtlety of an ox at a rodeo, hammering away words, jesting incoherently in a foul attempt at satire. Whereas such a stylistic choice made sense in the morally and culturally decayed urban sprawl of “GTA”, in the wild west it feels like a cop-out.  The western genre holds many rich themes for those that move beyond its formulaic surface (think Cormac McCarthy or Clint Eastwood) and even in parody terrain one finds such modern and unusual revisitations as Coen’s “True Grit”. But here, as elsewhere, Rockstar shows its limitations, mistaking conflict with bullet-time shooting, characters with sources of quests, plot with amalgam of film citations, soundtrack with mess of procedurally generated western music tropes glued together to resemble elevator music.

Redemption seems at hand when it comes to the feel of the old west. There’s true sensorial delight to be found in the exploration of the game’s world, basking in the naturalist splendor of the genre’s iconic landscapes. Journeying through a virtual Monument Valley, rocked by your horse’s rhythmic gallop, playing to it with your interactive spurs, listening to the hard clanking of hooves echoing in the texturey sand… it’s as close to a climax as the game gets. Fortunately, players are even invited to explore the scenery constantly, in long winding trips across the desert, beneath the glaring sun or stark moon. In between the long horse rides, there’s the occasional semi-honest attempt at characterizing life in the west, with menial cowboy tasks  establishing a welcome sense of roleplay. But it would be naïve to jump the bandwagon and simply applaud “Red Dead Redemption” vehemently on account of its audiovisual finesse and occasional simulational flair, since they find little resonance in other expressive vectors.  And if its sheer technique one wishes to evaluate, one can as easily praise the technical marvel of the landscape rendering, as criticize the appalling character modeling, with men tailored with the poise of a retired wrestling ape, and women with the beauty of a travesty Hammer monstrosity. Which is ultimately why it is impossible to take the title’s aspiration to western drama seriously – the characters are ugly and bear the emotional depth of a desert puddle. As far as escapist voyages can go, make no mistake, “Red Dead Redemption” is truly worth for the long hauls towards the sunset… just don’t think there’s anything else to explore in this barren, lifeless land.

score: 3/5

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  • Comments (2)
    • Cruzifixio
    • March 7th, 2011

    I enjoy elevator music… But think about it, last GTA game had reggaeton…

    • ruicraveirinha
    • March 7th, 2011

    It also had Philip Glass.

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