Archive for the ‘ 2008 in review ’ Category
Finally, we get to the core of video-game’s expression. If the aesthetic and narrative dimensions are crucial to video-game’s artistic power, it’s the audience’s chance to intervene and interact with video-games that ultimately defines them. If there is one pillar that supports video-game’s unique, precious elements, it’s game-play. And though in 08 games came out [ READ MORE ]
Unlike Narrative, aesthetic elements have been present since the very birth of video-game as a medium. It’s then by no means a surprise to observe how far they’ve come as a complement to the interactive dimension. On the indie front, far from the censoring eye of money hungry producers, audiovisual marvels such as “PixelJunk Eden” [ READ MORE ]
The relationship between narrative and video-games has always been troublesome, so much so, that many scholars, designers and journalists vehemently oppose the notion of the two merging together. It’s a difficult conundrum to solve: interaction is based on notions of free-expression and free-choice, and narrative (especially in its dramatic form) is sustained by inevitability, causal [ READ MORE ]
Besides casual affairs such as “Rock Band”, “Wii Fit”, sports games or the occasional MMORPG (read “World of Warcraft”), action games have become the last bastion of the industry when it comes to the aptly named “hard-core” gamer audience. FPS or third person, linear or open-world, whichever the case, action games have become the norm [ READ MORE ]
Survival Horror is dead. There, I said it. I know what you’re thinking – I’m overreacting, exaggerating for the purpose of making a point. But the sad reality is that I know that the genre is, at best, in a coma. Not only is it stagnated, as it has lost its sense of identity and [ READ MORE ]
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